Migraine, salmonella, I gotta say, been a crappy week off. Too, though, a sunny Sunday morning, I sit here on the couch sipping tea and eating a few berries, my gut don’t hurt too much of the moment & my cat’s basking in the sun, and so.
The week of serious concerted poem-making I pictured has not happened. (Nor have the coincident weeks of serious gardening or concerted bill paying.) But did come one I’d love to show you.
It began with a glimpse just of a picture poem by Robert Grenier on Craig Dworkin’s Eclipse archive –
– and in particular the overlaying of words: I and my, am and heart, a and is, (something) and beating.
I’ve been working for a while on a script got by writing something over twice – as I’ve written about here. What, I then wondered, if the overtext weren’t just the undertext, shifted. What if a good deal more difference were let in.
As it turned out, I worked with just one phrase, this one that popped up in earlier work on Overject—
I inscribed the phrase over and over, following a protocol dictated by the digits of π, and when that felt done I stopped, and then I started filling in some of the spaces created by the intersections of overlapping letterforms. After a while I got to this.
Don’t honestly know if it’s any good. But it’s, at least, a new method I’m curious of. Click on it maybe to see how the details go. Thoughts?