A taste of rhizome mind

From Poetics of the Rhizome. A course set to start soon.


Before the World Wide Web, there was a worldwide web. Human beings are recent guests in that web, guests often rude and destructive, but sometimes stunned with awe, or love.

[T]he Great Subculture which runs underground through all history … [a] tradition that runs without break from Paleo-Siberian Shamanism and Magdalenian cave-painting; through megaliths and Mysteries, astronomers, ritualists, alchemists and Albigensians; gnostics and vagantes, right down to Golden Gate Park.
                – Gary Snyder, “Why Tribe”

Rats are rhizomes. Burrows are too, in all of their functions of shelter, supply, movement, evasion, and breakout. The rhizome itself assumes very diverse forms, from ramified surface extension in all directions to concretion into bulbs and tubers. When rats swarm over each other. The rhizome includes the best and the worst: potato and couch­grass, or the weed.… The wisdom of the plants: even when they have roots, there is always an outside where they form a rhizome with something else – with the wind, an ani­mal, human beings…. “Drunkenness as a triumphant irruption of the plant in us.”
                – Gilles Deleuze and Felix Guattari, A Thousand Plateaus

I would describe poetry as ecology in the community of words.
                – Jed Rasula, This Compost

[T]he separate perspectives of my two eyes converge upon the raven and convene there into a single focus. My senses connect up with each other in the things I perceive … each perceived thing gathers my senses together in a coherent way, and it is this that enables me to experience the thing itself as a center of forces.
                – David Abram, The Spell of the Sensuous

This old plum tree is boundless. All at once its blossoms open and of itself the fruit is born. It forms spring; it forms winter. It arouses wind and wild rain…. Its whirling, miraculous transformation has no limit. Furthermore, the treeness of the great earth, high sky, bright sun, and clear moon derives from the treeness of the old plum tree.
                – Eihei Dōgen, “Plum Blossoms”

Most of each thing
is whole but contingent
on something about
the nearest one to it
                – Fanny Howe, “The Splinter”

Common threads here are multiplicity and interdependence. There’s no one way to be human. There’s no one way to be a poem. There’s no one way to be at all! And no one way to say so.


Plum Blossoms - detailMy students are you reading. Winter is coming. You’re gonna be asked, early on, to write spring. The image atop is Red and White Plum Blossoms by Ogata Kôrin. You can read a nice treatment of it here.

Here’s what Dōgen Zenji, my teacher’s teacher’s teacher, and on, has to say about painting spring:

When you paint spring, do not paint willows, plums, peaches, or apricots – just paint spring. To paint willows, plums, peaches, or apricots is to paint willows, plums, peaches, or apricots. It is not yet painting spring.

It is not that spring cannot be painted. My late master, old buddha, he alone was a sharp-pointed brush that painted spring.

So be the sharp-pointed brush painting spring. Or whatever.

 

Student blog: The clothes we wear

Another student blog for you, come into its own, right here, on the threshold where the inmost being we are, touches the public sphere we move about in. Clothes, hair, eyes, lips, limbs, and how we make up and dress down, pierce and dye, stain or tear, tattoo or don’t. For, as Evan rightly says, not to is every bit as much a choice, as to.

I say this as one uncomfortable caring at all about how I look. So much more important to me how one sees. And yet it do matter don’t it. We are moving at all moments through a web of codes.

Merleau-Ponty noted, I think it was he, I’m taking this from my memory of David Abram‘s Spell of the Sensuous, that the eye can’t see without also being seen – can’t do vision without entering the visual. To see is to be seen. More, to see is to be seen seeing. A phenomenology of flirting might begin here. (Maybe also one of voyeurism, which maybe feels dirty because it breaks out of that reciprocity.) That, anyway, is our social being, to see and to be seen and to be seen seeing.

Is why we do not all wear Mao suits. Or, if we do, we want to look this good.

mao suit

Evan’s got a fine and punchy style going, a good model of, one, how to do blog prose, and, two, how to marry personal and social awarenesses. Light touch, nothing didactic. I mean it feels seamless to me, how her awakeness to her own life, and her wondering how the world goes, meet. Check it out.