This by Robert Duncan, in Rasula’s This Compost, out of the body of which many of my thoughts here take sprout.
It is only the midden heap, Beauty: shards,
scraps of leftover food, rottings,
where we read history, larvae of all dead things,
mixd seeds, waste, off-castings, despised
treasure, vegetable putrefactions
– Robert Duncan, “Nor is the Past Pure”
Speaking of the opened field. I’ve found a good prompt for working a way into Olson’s “Projective Verse” with students is to ask them just what that “field” in “composition by field” might be. Last time I did it I was way taken by the breadth of their answers. The page. The sensuous surround at a given perceptive moment. The expanse of possible questions.
I’m paraphrasing here, but my gist is, they helped me see how “composition by field” is itself composed by field, meaning at multiple vectors fruitfully.